Seoul Trad: The Essential 2023 Yearbook Beyond Take Ivy
Seoul Trad began with a single question: what would we put in the archive if we stopped borrowing someone else’s? Three years ago, we made a campaign that borrowed a legend’s name. Take Ivy — the 1965 Japanese photo book that documented American Ivy style at its canonical peak — was the obvious reference, and we paid tribute to it the way any young Seoul menswear brand would: by photographing our own version of it. It was the correct first move. It was also the last time we would do it.
This post is about the campaign that came next: the 2023 Renacts Gentlemens Club Yearbook — the first campaign shot under what we now call the Seoul Trad premise. It was our first campaign shot under a new premise — that we would no longer borrow someone else’s legend. We would begin recording our own Seoul Trad archive, under our own name. The concept was the American college yearbook, and the subjects were the friends, older brothers, and younger brothers who actually wear Renacts every day. This is the visual record of that shoot, and the argument behind it.

One Year In: The Seoul Trad Archive Problem
This campaign was photographed in 2023, roughly one year into Renacts’ operation — which means it predates the Seoul Trad vocabulary we use today. From four years’ distance in 2026, it is easy to forget how provisional the brand still felt at that point. We had a product line — blazers, OCBDs, knitwear, chinos — that was coherent, and a small but real customer base. But one question followed the brand everywhere.
Ivy and prep are niche, referential genres. Every serious brand in this space is measured against decades of visual archive — the Take Ivy photographs, the Brooks Brothers catalogs, the 1960s Dartmouth yearbooks, the countless editorial shoots that defined the language. Renacts, one year in, had products but not yet a body of its own imagery. It was a fair criticism and we could not ignore it.

So we spent a long time on one question: what archive should we actually be building? The answer, after months of internal discussion, turned out to be about the wrong noun. We had been thinking about the archive as a collection of clothes. But when you look at the Ivy and prep source material — the Take Ivy photos, the Yale yearbook pages, the Brooks Brothers ads — the archive was never about clothes. It was about people. About specific communities of young men who wore specific things together, photographed together, remembered together.
Seoul Trad’s Archive: People, Not Clothes
That reframe is the reframe that produced Seoul Trad. If the archive we needed to build was about people, then we could not hire fashion models. Models wear clothes they don’t own, in locations they don’t live in, for a brand they don’t belong to. That’s the opposite of what we needed.
Instead we turned to the people who had been wearing Renacts since the beginning — the older brothers, friends, and younger brothers who had shown up at the store, worn the pieces to real events, and helped the brand feel like more than a catalog. We gave that group a name: the Gentlemens Club. And the campaign was about them.

The American College Yearbook Concept
Having fixed the subject — real people, not models — we then needed a visual framework. The one we chose was the American college yearbook of the 1950s and 60s. It was the obvious choice for several reasons, some of them conscious and some of them instinctive.
Consciously: the American college yearbook is the single most important document of Ivy style on record. The entire Ivy aesthetic canon was first photographed, year after year, in the yearbook format — rows of young men in the same sack jackets, ties, and oxford shirts, filed away in a school library because graduating seniors wanted to remember each other. Take Ivy is, in a real sense, a yearbook made by outsiders. The Yale Class of 1965 yearbook is a yearbook made by insiders. Both belong to the same tradition.
Instinctively: the yearbook format is the clearest possible expression of the community-over-clothes thesis — the foundation the Seoul Trad project would be built on. A yearbook is not a fashion catalog. It is a document of a specific group of people at a specific moment, and the clothes are incidental to that document. That’s exactly what Seoul Trad needed.
The Covers

Every yearbook opens with a group cover shot. We did three variations. The studio backdrop was fabricated to match the distinctive painted-cloth texture of 1950s American school portrait backdrops. The “Renacts School — Yearbook Edition” banner was set in a period-appropriate serif. The members were directed to stand how they actually stand with each other, not how a model would pose. That last direction is what every image in the set is built on.
The Classmates
Traditional yearbooks organize students by class or by activity. We organized the Gentlemens Club by what they wore on the day of the shoot.




The Individual Profile Pages
The most direct translation of the yearbook format was the individual profile page. Each Gentlemens Club member got a full spread — a “Hello, I am ___” tag, a close-up portrait, a full-body standing shot, and the specific Renacts piece they had chosen to feature. These are the pages that, to us, are the real point of the Seoul Trad campaign: each page is simultaneously a product shot and a member portrait, and neither reading is more correct than the other.











The Product Spreads
Between the individual profiles, the yearbook structure allows for “feature pages” — dedicated spreads on specific products or categories. We used these to let the clothes breathe on their own terms.



The Closing Spreads

What the Seoul Trad Campaign Actually Started
Renacts is now four years old. Looking back from 2026, the 2023 Yearbook campaign is the moment the brand stopped being one that referenced Ivy style and became one that produced its own — the first chapter of what we now call Seoul Trad. Not by inventing new garments — the OCBD and the sack jacket and the chinos are still the same shapes they’ve always been — but by treating the community that wears them as the primary subject.
The Seoul Trad campaigns that followed — the New Trad Anorak shoot, the sack suit Legacy photograph we documented in our Yale Ivy style post — all trace back to what this Yearbook campaign decided. Seoul Trad is not a new set of clothes. It is the same Ivy language, spoken by a specific community, in a specific city, starting from one photographed afternoon in 2023.
Take Ivy was the reference that made the Seoul Trad project possible. After the Yearbook, we no longer needed to point at Take Ivy to explain what we were doing. We had started writing the Seoul Trad record under our own name. Three years later, in 2026, the rest of this site is the continuation of what this campaign set in motion.